As Fallout continues to evolve for the silver screen, one thing remains clear: in the wasteland, it is the characters who truly define the story, their actions shaping the fate of the world around them. And unlike the playing in the giant, radioactive sandbox ourselves, we have no control.

Indeed, the film is meant to be somewhat of a mind-bending exercise, yet it avoids accentuating the tired tropes familiar to the genre. Nobody is Crazy offers a tender coming-of-age tale, bubbling with authenticity and pure intention.

Whether it’s the point at which Bella’s yearning to explore and leave home takes hold, in discovering the power of her body, or grasping the truth of wealth disparity, the audience has several means of connecting to the film’s primary source of wonder. Stone’s energy is infectious—and we (as an audience) not only come to view civilized society with a sense of enchantment, but Bella herself, too.

Quite a few film pundits and critics have denounced the originality of Saltburn’s screenplay. Yet, this narrative rendition pleads for a different interpretation—not because of the story structure, but in that the dynamics of the characters are entirely fractured and inverted from the normative direction.

Still reeling from Nolan’s betrayal in Season One, Mark struggles to rebuild his life as he faces a host of new threats, all while battling his greatest fear - that he might become his father without even knowing it.

With Gran Turismo out in theaters now, we are taking a closer look at what separates Neill Blomkamp from other directors. Spoiler: his style and tone is quite unlike anything in the science fiction genre.

Innovative stories are more than just those from auteur filmmakers–as it has never been more clear that honesty is the best policy; sticking to what you know and love. Tossing in some surprising faces and eliciting wholly captivating performances from that same talent won’t hurt either.